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| Ikoli Harcourt Whyte often tried to conceal his deformed fingers |
In our series of letters from African journalists, novelist
and writer Adaobi Tricia Nwaubani writes about the Biafra man who composed some
200 hymns, despite having leprosy.
Biafra's most famous victim of
leprosy was fatally injured in a motor accident 40 years ago, and a ceremony is
being held to mark the anniversary of the music composer's death.
Born in 1905, Ikoli Harcourt Whyte
was diagnosed with leprosy as a teenager, at a time when there was no effective
cure for the dreaded disease which usually leads to deformity of the hands and
feet.
People suffering from leprosy were
often isolated or driven away from their communities. Whyte channelled his
experience of suffering and stigmatisation into music, and went on to compose
more than 200 inspirational hymns.
"He wrote with the stubs of his
thumb and index finger," said 77-year-old Achinivu Kanu Achinivu, a
professor of music who was a friend and protégé of Whyte.
"He wrote very slowly. It took
him a whole day or more to write one page of music."
Who was Ikoli Harcourt Whyte?
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| Somiari Harcourt |
- Born in Abonnema, Rivers State of Nigeria in 1905
- Diagnosed with leprosy in 1919
- Inmate at the Uzuakoli Leprosy Colony in south-eastern Nigeria from 1932, despite being cured in 1945
- Composed over 200 hymns, mostly in the Igbo language
- Set up a choir made up of people living with leprosy, who toured Nigeria
- His choir sang for British dignitaries who visited colonial Nigeria
- Included Ikoli (a traditional name) in his birth name, so as to not be mistaken for a foreigner
- Died in a motor accident in 1977
Listen to his hymn Atula Egwu:
Whyte's talent for music was
developed at the Uzuakoli Leprosy Centre in what is now Abia State in
south-eastern Nigeria, where he spent the last 45 years of his life.
Before then, he had been receiving
treatment at a hospital in Port Harcourt, capital city of his home state of
Rivers in the Niger Delta, which had a thriving leprosy ward.
When residents of Port Harcourt,
known as the Garden City, agitated for the removal of people with leprosy in
their midst, Whyte led the other patients to resist attempts by local
authorities to evacuate them forcefully, insisting that they be provided with
an alternative location instead.
Cured,
but still in the colony
His persistent activism partly led
to the intervention of Methodist missionaries, who then established the
Uzuakoli Leprosy Centre in 1932, with Whyte and his fellow patients as some of
the first set of inmates.
"The work at Uzuakoli was
hugely significant," said John Manton, Irish historian and anthropologist
of medicine.
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| Ikoli Harcourt Whyte's CDs are on sale in Nigeria/ Biafra |
"It was the place where the
dosage of dapsone for treating of leprosy was standardised in the early 1950s,
and the first clinical trials of clofazimine took place there in the early
1960s - these are two of the drugs that are used as part of multi-drug therapy
for leprosy today."
It was also in Uzuakoli that Whyte
met British missionary and medical doctor, Thomas Frank Davey, a music lover
and a pianist - an association that became the catalyst for his music career.
"Dr Davey taught him everything
he knew about music, that he acquired by studying the Methodist hymn
book," said Mr Achinivu.
During trips to surrounding and
remote villages to treat leprosy patients, Dr Davey recorded the traditional
music of the people.
He then encouraged Whyte to develop
his own personal style by listening to and composing songs that sounded more
like those tunes, rather than the ones in the Methodist hymn book.
Even after Whyte was eventually
declared cured of leprosy in 1949, he chose to remain at the Uzuakoli centre,
where he formed a choir made up of other patients.
His first wife, who also had
leprosy, had abandoned him there a few years earlier after she was cured,
leaving him with their two children.
Aura
of hope
Soon, books of Whyte's hymns were
being sold in different churches across the region, and choirs from around
Nigeria were visiting the leprosy centre to listen to and learn from him.
Tales abound of the reach and impact
of his music, most of which was written in his local Igbo language and focused
on hope in spite of trials and tribulations.
"In the evenings, people from
all walks of life came and he would teach them the music which God had shown him
in dreams," said Enyeama Okoroafor. Now in his 70s, Mr Okoroafor is
currently the oldest resident at the Uzuakoli centre, having been diagnosed
with leprosy as a child and abandoned by his family.
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| Whyte's grave lies at the Uzuakoli Chapel of Hope |
"At the time, because of his
fame, we regarded him as the most senior person here and gave him that honour
and respect. Because of what he was doing, he moved with many important
men."
The decision to change the name of
the chapel at the leprosy centre from Colony Chapel to Chapel of Hope was
inspired by the aura that pervaded the hall whenever Whyte and the choir
rendered his music.
"He didn't want instruments
with his music so that they wouldn't overshadow the message," said
85-year-old Godwin Harcourt, Whyte's oldest child.
"From his songs, you could get solace,
advice, things that would awaken your hope in God."
Godwin grew up in the leprosy colony
with his father, although living in separate quarters, and became a school
teacher.
"Every school I was sent to, I
made sure I formed a choir there so I could teach his songs," he said.
Apart from church services, Whyte's
choir sang for various dignitaries from Britain who visited colonial Nigeria.
Some say that the Queen of England
also became aware of his music, and once requested his hymns to be played by the
BBC on Christmas Day.
And, during the Nigerian civil war
when leaders of the Igbo ethnic group attempted to secede and form a different
country called Biafra, Whyte's songs were popular as a source of courage and
hope.
Singing
with lepers
"Each time we gathered, the
chances were that we would end up with some recording of his," said Ejike
Ago, 73, who fought in the Biafran army.
"It is not only the Biafran
soldiers alone. The Christians, each time we gathered had his recordings
playing."
Biafra at a glance:
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| Ipob claims these existing states would make up an independent Biafra |
- First republic of Biafra was declared by Nigerian military officer Odumegwu-Ojukwu in 1967
- He led his mainly ethnic Igbo forces into a deadly three-year civil war that ended in 1970
- More than one million people lost their lives, mostly because of hunger
- Decades after Biafra uprising was quelled by the military, secessionist groups have attracted the support of many young people
- They feel Nigeria's central government is not investing in the region
- But the government says their complaints are not particular to the south-east
"He was always going on tour
with his choir," said Whyte's grandson, Somiari Harcourt, a 50-year-old
medical doctor who spent some of his childhood years living with the composer.
"I did not appreciate his music
until I became older, then the songs began to make sense. I became amazed that
someone could write so much with limited education."
"I was breaking bounds to go to
the leprosy colony to listen to his music, to sing with his choir," said
Mr Achinivu.
"My family were afraid that I
would catch leprosy but I still went. I had no fear. The force of music was so
strong."
Whyte was also invited to teach his
music in schools. It was while teaching at the nearby Methodist Boys' High
School in Uzuakoli that his and Mr Achinivu's paths first crossed in the early
1950s.
"The secondary school invited
him to teach his songs to the school choir and I was a member, and he
discovered that I was talented in music," Mr Achinivu said. "Whenever
he didn't come, he handed over to me and that was my beginning to conduct
choirs."
Mr Achinivu's family were horrified
when he informed them that he had changed his mind about studying medicine,
deciding to study music instead. They refused.
And then, Whyte paid a visit to his
family home.
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| Achinivu Kanu Achinivu
|
Whyte declined the eager efforts of Mr Achinivu's mother to play hostess. He had come for a single purpose.
"He told them: 'Allow my son, Achinivu, to study the music that he wants to study. Who knows? He may be the one to tell the world about me and my music.'"
That heartfelt statement not only succeeded in persuading Mr Achinivu's family, it also proved prophetic.
Since 2012, he has occupied the Harcourt Whyte chair in choral music at the University of Port Harcourt.
'We can't present lepers to the world'
Four years after Whyte's death, renowned Nigerian playwright, Ola Rotimi, was commissioned to produce a play for Nigeria's 21st Independence Day anniversary on 1 October, 1981.He chose to base it on the life of Whyte and approached Mr Achinivu, who offered him his thesis for all the information he might need.
Mr Rotimi then asked Mr Achinivu to provide the music for the production, titled Hopes of the Living Dead.
The professor assembled a choir that worked hard to learn dozens of Whyte's songs.
But, when they travelled from south-east Nigeria to the then capital city of Lagos to attend rehearsals a few weeks ahead of the big day, a director at the Nigerian ministry of culture was not impressed with Mr Rotimi's plans.
Adaobi Tricia Nwaubani
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| Adaobi Tricia Nwaubani |
"It was rare for the Ikoli
Harcourt Whyte to leave the leper colony and pay personal visits, so people ran
out to catch a glimpse of him when he arrived."
"He said that we couldn't be
presenting lepers to the world on Nigeria's 21st independence
anniversary," Mr Achinivu said.
And the national performance was
cancelled.
Hopes of the Living Dead was
eventually staged in some school theatres.
"Ikoli Harcourt Whyte had
lessons to teach Nigeria," Mr Achinivu said. "Simplicity, humility,
service, courage."
The management of the Uzuakoli
Leprosy Centre hopes that the 40th anniversary of Whyte's death - taking place
on 25 and 26 November at the Chapel of Hope where his grave lies - will revive
interest in his life and work and attract more support for their effort to
educate the public on leprosy.
The disease is now completely
curable, detecting symptoms early prevents deformity, and there is no longer
any need to stigmatise or isolate sufferers.
"The man and the centre seem to
have been forgotten by people," said Joshua Okpara, a Methodist priest and
project director of the centre.
"It is a story that needs to
rise again. We saw the need to revive people's minds back to his contributions.
It is necessary for people to start looking towards his impact and also to
help."
Source BBC
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